When Matador Record released Stephen Malkmus’s first album in 2001, there was a concerted effort on their part to establish Malkmus as a solo artist and offer this new stage of his career as distinct from Pavement. Most of the contemporary reviews of the album couldn’t help but push this same narrative. Though there’s some quirkinessContinue reading “Stephen Malkmus Series: “Water and a Seat””
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Recliner Notes 