In November 1971, Allen Ginsberg and Bob Dylan entered the Record Plant recording studio in New York City to record adaptations of Ginsberg’s own poetry, arrangements of poems by William Blake, and a few Ginsberg-Dylan original songs. The resulting recordings are rough and ragged. However, the most successful work is “Vomit Express,” which constitutes aContinue reading “Allen Ginsberg & Bob Dylan Ride the “Vomit Express””
Tag Archives: Bob Dylan's Greatest Hits Vol. II
You Ain’t Goin’ Nowhere
The legend of The Basement Tapes is that Bob Dylan and The Band woodshedded in Woodstock, NY, making music and writing songs during the summer and fall of 1967 away from the rest of the world. At the time, Dylan was 26 years old and the father of three, including his adopted five-year old daughterContinue reading “You Ain’t Goin’ Nowhere”
When I Paint My Masterpiece
The crime novelist James Ellroy, who is known for giant and intricate novels such as L.A. Confidential and American Tabloid, opens his public appearances book readings with a hyperbolic self introduction. Here’s one version: “Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. I’m James Ellroy, the demon dog with the hog-log, the foul owlContinue reading “When I Paint My Masterpiece”
Watching the River Flow
In March 1971, Bob Dylan entered the studio searching for a new sound after the pastoral feel of his previous album New Morning. The song “Watching the River Flow” was the single that emerged from those sessions: This recording session was produced by Leon Russell, a former studio musician who had achieved renown for leadingContinue reading “Watching the River Flow”
Quinn the Eskimo (The Mighty Quinn)
In the days after my wife and I told our friends that we were expecting our first child, a friend handed me an article torn out of GQ or Esquire with examples of music that parents can play for their kids that won’t turn the parents’ stomach. Included on the list was Bob Dylan’s TheContinue reading “Quinn the Eskimo (The Mighty Quinn)”