Tonight I’ll Be Staying Here with You

In 1971, Bob Dylan was interviewed by his friend Tony Glover, though the conversation was not published until 2020. Dylan was direct in his answers throughout and provided an interesting perspective on the relationship between two of his albums, 1967’s John Wesley Harding and 1969’s Nashville Skyline: “The songs of John Wesley Harding were allContinue reading “Tonight I’ll Be Staying Here with You”

To Ramona

Bob Dylan recorded all 11 songs on his fourth album — Another Side of Bob Dylan — on a single night, June 9, 1964. As demonstrated in the title, the songs reflected a shift in Dylan’s writing style. The writer Nat Hentoff was present for the recording of the album on that night in JuneContinue reading “To Ramona”

She Belongs to Me

In March 1965, Bob Dylan released Bringing It All Back Home, the first of his albums to showcase electric instruments, unlike the solo acoustic work of his earlier albums. With a few exceptions, Bringing It All Back Home features electric songs on the first side and mainly acoustic songs on the second side. The secondContinue reading “She Belongs to Me”

Quinn the Eskimo (The Mighty Quinn)

In the days after my wife and I told our friends that we were expecting our first child, a friend handed me an article torn out of GQ or Esquire with examples of music that parents can play for their kids that won’t turn the parents’ stomach. Included on the list was Bob Dylan’s TheContinue reading “Quinn the Eskimo (The Mighty Quinn)”

One Too Many Mornings

“One Too Many Mornings” is a song that Bob Dylan has returned to again and again over the years, in a variety of situations with many different performers, always changing the delivery of the song to reflect the setting and milieu. Dylan’s original recording of the song was from October 24, 1963: Released on TheContinue reading “One Too Many Mornings”

I Dreamed I Saw St. Augustine

John Wesley Harding was released in late 1967, the first work heard by the outside world for about 18 months since the release of Blonde on Blonde. It’s also the first Dylan music heard by the general public after the motorcycle accident in which there were varying reports about the severity of Dylan’s injuries. TheContinue reading “I Dreamed I Saw St. Augustine”

Highway 61 Revisited

After Bob Dylan began utilizing electric instrumentation to accompany his songs with the album Bringing It All Back Home, some in the media created a new genre to describe the music: “folk rock.” That genre name always seemed affected, suited more to The Byrds covering Dylan as opposed to Dylan’s actual music. Because listening toContinue reading “Highway 61 Revisited”

Copper Kettle

Released in 1969, the Great White Wonder was the first bootleg album of an established recording audience to gain widespread popularity and sales. In 1985, Bob Dylan told Cameron Crowe for the Biograph liner notes about 1970’s Self Portrait: “[It] was a bunch of tracks that we’d done all the time I’d gone to Nashville.Continue reading “Copper Kettle”