When I Paint My Masterpiece

The crime novelist James Ellroy, who is known for giant and intricate novels such as L.A. Confidential and American Tabloid, opens his public appearances book readings with a hyperbolic self introduction. Here’s one version: “Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. I’m James Ellroy, the demon dog with the hog-log, the foul owlContinue reading “When I Paint My Masterpiece”

Señor (Tales of Yankee Power)

There’s a moment during the climax of Sam Peckinpah’s 1969 ultra-violent Western The Wild Bunch that is a direct connection to Bob Dylan’s song “Señor (Tales of Yankee Power)” off of his 1978 album Street-Legal. In the film, the outlaw gang, who serve as the plot’s anti-protagonists, are engaged in the biggest, bloodiest shootout depictedContinue reading “Señor (Tales of Yankee Power)”

Romance in Durango

The film critic Jonathan Rosenbaum set the parameters for Acid Westerns as a film genre in his review of Jim Jarmusch’s 1995 film Dead Man. Rosenbaum writes in this seminal piece that Acid Westerns “confound much of our mythology about the western — reversing some of its philosophical presuppositions by associating a westward journey withContinue reading “Romance in Durango”