Patty’s Gone to Laredo

Because of Bob Dylan’s prolific songwriting talents, one of the biggest draws for Dylan obsessives is that there are always songs to be discovered. Like Coronado seeking the lost cities of gold, the completists are always on the search for an undiscovered Dylan song. With the ongoing success of Dylan’s Bootleg Series and the regularContinue reading “Patty’s Gone to Laredo”

One Too Many Mornings

“One Too Many Mornings” is a song that Bob Dylan has returned to again and again over the years, in a variety of situations with many different performers, always changing the delivery of the song to reflect the setting and milieu. Dylan’s original recording of the song was from October 24, 1963: Released on TheContinue reading “One Too Many Mornings”

If You See Her, Say Hello

Since the release of Blood on the Tracks in 1975, it has been one of Dylan’s most acclaimed and loved albums. Detailing the ins and outs of a relationship, many critics and fans thought that  Dylan was embracing the California confessional singer/songwriter style and musical approach, exhibited most beautifully and successfully on Joni Mitchell’s 1971Continue reading “If You See Her, Say Hello”

I Dreamed I Saw St. Augustine

John Wesley Harding was released in late 1967, the first work heard by the outside world for about 18 months since the release of Blonde on Blonde. It’s also the first Dylan music heard by the general public after the motorcycle accident in which there were varying reports about the severity of Dylan’s injuries. TheContinue reading “I Dreamed I Saw St. Augustine”

Going, Going Gone

When I first got together with my then-girlfriend-now-wife, she introduced me to the band Son Volt. Their first album Traces has a front-loaded first half, which includes the absolute gems “Windfall,” “Live Free,” and “Tear Stained Eye.” The simple chorus of “Windfall” is a perfect match-up of words and melody that resonates with the listenerContinue reading “Going, Going Gone”

Copper Kettle

Released in 1969, the Great White Wonder was the first bootleg album of an established recording audience to gain widespread popularity and sales. In 1985, Bob Dylan told Cameron Crowe for the Biograph liner notes about 1970’s Self Portrait: “[It] was a bunch of tracks that we’d done all the time I’d gone to Nashville.Continue reading “Copper Kettle”