Things Have Changed

In 2001, Bob Dylan won both the Academy Award and the Golden Globe Award for Best Original Song for his prophetic and pessimistic song “Things Have Changed” which was released the previous year as part of the movie Wonder Boys: The film was an adaptation of a 1995 novel of the same name by MichaelContinue reading “Things Have Changed”

Summer Days

When Bob Dylan’s album “Love and Theft” was released in 2001, a common joke among reviewers and fans was that Dylan should have called the album “Highway 61 Revisited Revisited.” This reference was to Dylan’s 1965 album Highway 61 Revisited and the similarities between the two albums, especially the power of the music produced toContinue reading “Summer Days”

Someday Baby

In May 2006, the inaugural episode of Theme Time Radio Hour, hosted by Bob Dylan, aired on  XM Satellite Radio (now known as Sirius XM Radio). It’s hard to capture the thrill that came with the weekly release of each episode of Theme Time Radio Hour with Dylan himself offering up his favorite songs aroundContinue reading “Someday Baby”

Mississippi

Written by Bill Halley, Jimmie Rodgers recorded the song “Miss the Mississippi” a year before his death in 1933: The song must have had some relevance for the so-called Father of Country Music as he was born and raised in Mississippi before setting off for a life on the road. The song is sentimental asContinue reading “Mississippi”

Love Sick

In the late fall months of 1997, magazines everywhere were insisting: no really, Bob Dylan is back! The irony in this statement is that not only had Dylan not gone anywhere, he had actually been everywhere. Over the course of the 90s for the so-called Never Ending Tour, he had toured constantly at small venuesContinue reading “Love Sick”

Just Like a Woman

The song “Just Like a Woman” was recorded in Nashville in March 1966 for the album Blonde on Blonde: As recounted previously on Recliner Notes, Blonde on Blonde was primarily recorded in Nashville with the first-call “A-team” of Nashville musicians. The masterful utility of this group of musicians has been explored best by Tyler MahanContinue reading “Just Like a Woman”

If You See Her, Say Hello

Since the release of Blood on the Tracks in 1975, it has been one of Dylan’s most acclaimed and loved albums. Detailing the ins and outs of a relationship, many critics and fans thought that  Dylan was embracing the California confessional singer/songwriter style and musical approach, exhibited most beautifully and successfully on Joni Mitchell’s 1971Continue reading “If You See Her, Say Hello”

Floater (Too Much to Ask)

Who is Jack Frost? According to Wikipedia, he is a “variant of Old Man Winter who is held responsible for frosty weather…leaving fern-like patterns on cold windows in winter.” Jack is depicted as “a sprite-like character, sometimes appearing as a sinister mischief-maker or as a hero.” Starting in 1990, a certain Jack Frost appeared inContinue reading “Floater (Too Much to Ask)”

Changing of the Guards

Jonathan Cott asked Dylan the following question about songs on his recent release Street-Legal during a November 16, 1978 Rolling Stone interview: “As in a dream, lines from one song seem to connect with lines from another. For example: ‘I couldn’t tell her what my private thoughts were / But she had some way ofContinue reading “Changing of the Guards”

Can’t Wait

1997’s Time Out of Mind is an album of push and pull between Dylan and the album’s producer, Daniel Lanois. Lanois is an illustrious producer who has worked with a roster of who’s who in recorded music: Brian Eno, Peter Gabriel, U2, Emmylou Harris, the Neville Brothers, and on and on. Lanois produced Dylan’s OhContinue reading “Can’t Wait”