I’m Not There

At some point in their career, every film critic has to contend with Blade Runner. Similarly, every aspiring Dylanologist will need to have a take on Bob Dylan’s “I’m Not There.” Anyone can hear “Like A Rolling Stone” or “Blowin’ in the Wind” and have an opinion. But “I’m Not There” is different because, beforeContinue reading “I’m Not There”

I’ll Keep It with Mine

The great English writer Geoff Dyer was asked to provide advice for writers. He gave 10 different tips, and, in typical Dyer fashion, the tips are funny, self deprecating, self contradictory, instructive, and inspirational. The eighth tip, in particular, stands out: “Have regrets. On the page, they blossom into desire.” This is a beautiful concept,Continue reading “I’ll Keep It with Mine”

I Dreamed I Saw St. Augustine

John Wesley Harding was released in late 1967, the first work heard by the outside world for about 18 months since the release of Blonde on Blonde. It’s also the first Bob Dylan music heard by the general public after the motorcycle accident in which there were varying reports about the severity of Dylan’s injuries.Continue reading “I Dreamed I Saw St. Augustine”

I and I

Have you ever noticed those dark spots in the woods while driving in a strange part of the country? Even though it’s broad daylight, the sun can’t penetrate those areas. Some writers work in those spots, either attempting to bring light to the darkness represented by that space or choose to stay in the darkness.Continue reading “I and I”

Highway 61 Revisited

After Bob Dylan began utilizing electric instrumentation to accompany his songs with the album Bringing It All Back Home, some in the media created a new genre to describe the music: “folk rock.” That genre name always seemed affected, suited more to The Byrds covering Dylan as opposed to Dylan’s actual music. Because listening toContinue reading “Highway 61 Revisited”

Going, Going Gone

When I first got together with my then-girlfriend-now-wife, she introduced me to the band Son Volt. Their first album Traces has a front-loaded first half, which includes the absolute gems “Windfall,” “Live Free,” and “Tear Stained Eye.” The simple chorus of “Windfall” is a perfect match-up of words and melody that resonates with the listenerContinue reading “Going, Going Gone”

Subterranean Homesick Blues

My paternal great-grandfather was a legend for my Dad and my Uncle Scott and then later for me and my sisters. His name was Junebug Middelton. He ran away from home to join the circus and became a whistler. He played minor league baseball and met famed Yankees manager Casey Stengel in those days. OneContinue reading “Subterranean Homesick Blues”

Highlands

Asked by Robert Hilburn of the Los Angeles Times in December 1997 about the genesis of “Highlands” off of Time Out of Mind, Bob Dylan said: “I had the guitar run off an old Charley Patton record [in my head] for years and always wanted to do something with that. I was sitting around, maybeContinue reading “Highlands”

High Water (For Charley Patton)

The illustrator R. Crumb is known for his love of the music of the 1920s and 1930s. In the early 1980s, he began illustrating a series of trading cards for his musical heroes of that time period. The series was eventually released in book form in 2006’s R. Crumb’s Heroes of Blues, Jazz & Country.Continue reading “High Water (For Charley Patton)”

Goin’ to Acapulco

My ideal response to a song after listening is that I want to have the urge to inhabit the world of the song. Sometimes this inhabitation means living inside the world as created literally by the lyrics being sung, or to go on the same adventure or share the same experiences as depicted by theContinue reading “Goin’ to Acapulco”