Dead Man – Recliner Notes

35

The third song on Bill Callahan’s 2020 album Gold Record is called “35”: The song starts with a simple guitar part from Callahan before Matt Kinsey joins in on a second acoustic guitar and provides a big bluesy fill. Callahan sings the first verse: I can’t see myself in the books I read these daysUsedContinue reading “35”

Drover

In 2011, Bill Callahan released his most critically-acclaimed album, Apocalypse. Recorded in the border town of Tornillo, Texas, the tone of the album is informed by Callahan’s relocation to Texas a few years before as he recalled in a 2022 interview with Uproxx: “When I first moved to Texas, I always felt like I wasContinue reading “Drover”

Señor (Tales of Yankee Power)

There’s a moment during the climax of Sam Peckinpah’s 1969 ultra-violent Western The Wild Bunch that is a direct connection to Bob Dylan’s song “Señor (Tales of Yankee Power)” off of his 1978 album Street-Legal. In the film, the outlaw gang, who serve as the plot’s anti-protagonists, are engaged in the biggest, bloodiest shootout depictedContinue reading “Señor (Tales of Yankee Power)”

Acid Westerns

The Recliner Notes posts about “Isis” and “Romance in Durango” allowed me the opportunity to build off of the idea of the film genre Acid Western as a musical genre. There are hundreds of songs which fit into the concept. Below is a Spotify playlist of Acid Western songs. Eventually, songs on this list couldContinue reading “Acid Westerns”

Romance in Durango

The film critic Jonathan Rosenbaum set the parameters for Acid Westerns as a film genre in his review of Jim Jarmusch’s 1995 film Dead Man. Rosenbaum writes in this seminal piece that Acid Westerns “confound much of our mythology about the western — reversing some of its philosophical presuppositions by associating a westward journey withContinue reading “Romance in Durango”

Isis

The idea of the film genre “Acid Western” was created by the film critic Pauline Kael in her 1971 review of the film El Topo in The New Yorker. She wrote: “The avant-garde devices that once fascinated a small bohemian group because they seemed a direct pipeline to the occult and ‘the marvelous’ now reachContinue reading “Isis”