Señor (Tales of Yankee Power)

There’s a moment during the climax of Sam Peckinpah’s 1969 ultra-violent Western The Wild Bunch that is a direct connection to Bob Dylan’s song “Señor (Tales of Yankee Power)” off of his 1978 album Street-Legal. In the film, the outlaw gang, who serve as the plot’s anti-protagonists, are engaged in the biggest, bloodiest shootout depictedContinue reading “Señor (Tales of Yankee Power)”

Isis

The idea of the film genre “Acid Western” was created by the film critic Pauline Kael in her 1971 review of the film El Topo in The New Yorker. She wrote: “The avant-garde devices that once fascinated a small bohemian group because they seemed a direct pipeline to the occult and ‘the marvelous’ now reachContinue reading “Isis”

Knockin’ On Heaven’s Door

Unlike “Billy 4” which was written before the movie Pat Garret & Billy the Kid went into production, “Knockin’ on Heaven’s Door” was inspired by the movie itself.  The song plays during the death scene of the sheriff who dies in a shootout alongside his wife. The sheriff is played by cowboy movie character actorContinue reading “Knockin’ On Heaven’s Door”

Billy 4

Released in 1973, Pat Garrett & Billy the Kid was a Western directed by Sam Peckinpaugh. Dylan’s involvement in the film apparently started when he ran into novelist and screenwriter Rudy Wurlitzer, who told Dylan that he was writing a screenplay about the relationship between Billy the Kid and Pat Garrett. Hearing about the projectContinue reading “Billy 4”