I’m Not There

At some point in their career, every film critic has to contend with Blade Runner. Similarly, every aspiring Dylanologist will need to have a take on “I’m Not There.” Anyone can hear “Like A Rolling Stone” or “Blowin’ in the Wind” and have an opinion. But “I’m Not There” is different because, before its officialContinue reading “I’m Not There”

I Dreamed I Saw St. Augustine

John Wesley Harding was released in late 1967, the first work heard by the outside world for about 18 months since the release of Blonde on Blonde. It’s also the first Dylan music heard by the general public after the motorcycle accident in which there were varying reports about the severity of Dylan’s injuries. TheContinue reading “I Dreamed I Saw St. Augustine”

Goin’ to Acapulco

My ideal response to a song after listening is that I want to have the urge to inhabit the world of the song. Sometimes this inhabitation means living inside the world as created literally by the lyrics being sung, or to go on the same adventure or share the same experiences as depicted by theContinue reading “Goin’ to Acapulco”

Crash on the Levee (Down in the Flood)

Find me on a certain day and The Basement Tapes is my favorite Bob Dylan album. It has been written about extensively, most notably by Greil Marcus in The Old Weird America: The World of Bob Dylan’s Basement Tapes and has been the subject of two different releases by Dylan: the first official release inContinue reading “Crash on the Levee (Down in the Flood)”

Copper Kettle

Released in 1969, the Great White Wonder was the first bootleg album of an established recording audience to gain widespread popularity and sales. In 1985, Bob Dylan told Cameron Crowe for the Biograph liner notes about 1970’s Self Portrait: “[It] was a bunch of tracks that we’d done all the time I’d gone to Nashville.Continue reading “Copper Kettle”