Scheherazade is the major female character and the storyteller in the framing narrative for One Thousand and One Nights also known as Arabian Nights, the essential collection of stories from the Middle East. As the framing story goes, the ruler of the land finds out that his wife has been unfaithful and vows revenge byContinue reading “King of France”
Author Archives: Recliner Notes
Kickin’ My Dog Around
In 1967 after a grueling world tour fueled by revenge, disgust, and who knows what kind of substances, Bob Dylan retreated from public life to family life in Woodstock, NY. Living out his fantasy of “a nine-to-five existence, a house on a tree-lined block with a white picket fence, pink roses in the backyard” asContinue reading “Kickin’ My Dog Around”
License to Kill
The concept of having a “license to kill” is popular in espionage fiction and films. The origin of that device is commonly thought to be from the James Bond novels by Ian Fleming. In the first James Bond novel, 1953’s Casino Royale, Fleming introduces the “00 Section” of MI6, Britain’s secret service. This “00” sectionContinue reading “License to Kill”
Just Like Tom Thumb’s Blues
In 1965, Bob Dylan recorded “Just Like Tom Thumb’s Blues” as part of the album Highway 61 Revisited: When Dylan first featured electric instrumentation in his music with Bringing It All Back Home, the sound of the music was boisterous rock ‘n roll as if Dylan was so excited to play with other musicians thatContinue reading “Just Like Tom Thumb’s Blues”
Just Like a Woman
Bob Dylan’s song “Just Like a Woman” was recorded in Nashville in March 1966 for the album Blonde on Blonde: As recounted previously on Recliner Notes, Blonde on Blonde was primarily recorded in Nashville with the first-call “A-team” of Nashville musicians. The masterful utility of this group of musicians has been explored best by TylerContinue reading “Just Like a Woman”
Jokerman
Let’s start with the sidemen: Bob Dylan’s 1983 album Infidels featured Sly Dunbar on drums and Robbie Shakespeare playing bass. Both are from Kingston, Jamaica and make up the duo Sly & Robbie. The pair have recorded many solo records, released records as a duo, produced albums by other artists, and have played on countlessContinue reading “Jokerman”
Acid Westerns
The Recliner Notes posts about “Isis” and “Romance in Durango” allowed me the opportunity to build off of the idea of the film genre Acid Western as a musical genre. There are hundreds of songs which fit into the concept. Below is a Spotify playlist of Acid Western songs. Eventually, songs on this list couldContinue reading “Acid Westerns”
Romance in Durango
The film critic Jonathan Rosenbaum set the parameters for Acid Westerns as a film genre in his review of Jim Jarmusch’s 1995 film Dead Man. Rosenbaum writes in this seminal piece that Acid Westerns “confound much of our mythology about the western — reversing some of its philosophical presuppositions by associating a westward journey withContinue reading “Romance in Durango”
Isis
The idea of the film genre “Acid Western” was created by the film critic Pauline Kael in her 1971 review of the film El Topo in The New Yorker. She wrote: “The avant-garde devices that once fascinated a small bohemian group because they seemed a direct pipeline to the occult and ‘the marvelous’ now reachContinue reading “Isis”
If You See Her, Say Hello
Since the release of Blood on the Tracks in 1975, it has been one of Bob Dylan’s most acclaimed and loved albums. Detailing the ins and outs of a relationship, many critics and fans thought that Dylan was embracing the California confessional singer/songwriter style and musical approach, exhibited most beautifully and successfully on Joni Mitchell’sContinue reading “If You See Her, Say Hello”
Recliner Notes 